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Blankets
Craig Thompson (writer/illustrator)
Top Shelf Productions (publisher)
I must start by stating: I do not enjoy autobiographical comics. I think that it is a fine thing that comics can be used as a medium for one to explore her own life or as a means of reaching out to the readers with the message that no one is alone in their experiences. I have read numerous autobiographies and been moved by the experience (check out Lost Names by Richard E. Kim). However, I've have always been drawn to comics for their broader, more fantastic backdrop.
But when I noticed Craig Thompson's name on several award nominations lists for his work on Blankets, I was intrigued enough to give it a chance. It proved to be one the best decisions I've made concerning the medium. I can discuss the quickly paced, masterfully composed narrative which weaved situations from his childhood and teenage years in a way that created a emotional landscape without Thompson needing to overtly lay it out. Or the way that it is refreshingly straightforward, neither seeking sympathy for the struggles it presents or admiration for insight garnered through those experiences.
Perhaps I could also mention how the artwork itself quickly becomes the perfect expression of the story using a language that recalls the simplicity of childhood idealism while maintaining the means to convey teenage infatuation and spiritual exploration. Thompson's layouts reveal a true artistic sophistication complete with true nuance of gesture and facial expression.
But I'll instead simply state that when I put this book down after reading, it took me several minutes to remember that I was not 17 years old. This mental state which I have never reached even when confronted with my own past - a true statement of the power of Thompson's storytelling. I cannot recommend a graphic novel more highly.
Picks
The Spectacular Spider-Man 14 (Marvel)
Paul Jenkins (writer), Paolo Rivera (painter)
What makes this issue stand out is the amazing painted art of Rivera which is equally effective in conveying mood and human nuances. But it also confirms that Jenkins is one of the best writers in the medium - his entire run on this book has been exceptional. Also check out The Sentry (w/ art by Jae Lee) for further confirmation.
District X 1 (Marvel)
David Hine (writer), David Yardin (penciler),
Alejandro Sicat (inker)
The 'retooling' of the X-Men has been consistently good (refreshing after Grant Morrison's uneven run), but this book has been the most notable surprise. This is the first time that I have seen a writer approach the Marvel Universe's insanely large mutant population in an interesting manner.
Justice League: Another Nail 1 (of 3) (DC)
Alan Davis (writer/penciler), Mark Farmer (inker)
This Elseworlds tale has already established an epic scope with the JL maintaining their iconic status despite the different slant. Although Davis is often noted these days for his significant influence on Bryan Hitch, this book and his work on the Uncanny X-Men should remind everyone just how great Davis is.
Brandon Peterson (Ultimate X-Men 46)
David Finch has recently been recognized as a top artist in mainstream comics largely due to his run (w/ Brian Michael Bendis) on UXM, but I am far more impressed by this first issue by Peterson. His work is highly detailed, but clear and precise; furthermore, he is highly consistent stylistically, signifying a true artistic maturity. I can't wait for his Dr. Strange!
MAY 19th, 2004
Superman 204 (DC)
Brian Azzarello (W)
Jim Lee (P)
Scott Williams (I)
Azzarello has delivered what the first issue of an anticipated run should: he proves the stimulus to make you want to read the entire run. Superman, the archtypal superhero who has been around for over half a century, presents any writer a challenge almost unlike all other characters. How do you say something new and yet stay true to a beloved character? Azzarello's choise of religious iconography and story context seems logical - Superman being an icon himself who has come to this planet to serve as a savior - but daring nonetheless.
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